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Tuesday, October 22, 2013

Music Critique Quartet Opus 110 No 8 in C minor & Quartet Opus 74 No 1 in C major.

The St. Lucia String Quartet play at the drama building, I was on that point not because I had to but because I inadequacyed to. The lights focusing on the harmonyians forced the audience to focus on the harmony and the program offered two interesting and diverse fades of medicament that created two truly divergent atmospheres. The first theatrical role of euphony that was contend was the Quartet Opus 74 No 1 in C major, composed by Joseph Hayden in 1793. Sally-Ann Djachencko and Philip Nixon contend Violins first arse and punt seat respectively charming spell Yuri Djachencko vie Viola and Amy Tucker played Cello. This piece followed the uncompromising structure of a Quartet, having four movements, Allegro moderato, Andantio grazioso, Menuet & vitamin A; three-bagger and Finale respectively. This piece was pleasant to listen to and elicited a classical mood to the room. The harmony was consistent and the measure colour in was very balanced through or so of the piece. The melody was very lyrical and sounded nice as it was passed or so each of the instruments. repetition was used frequently, the melody would be played and then played again in a different key. The practice of medicine, although lovely, did not front to offer one much thought.
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It was there simply to be pleasant and the mind would wonder stomach to what would it have been criterionized to hear this piece in the time that it was written. The morsel piece of practice of medicine was Quartet Opus 110 No 8 in C minor, written by Dmitri Shostakovich in 1960. In this piece Philip Nixon and Sally-Ann Djachen cko played Violins first seat and second sea! t respectively. Being a contemporary piece of music we shoot the breeze chances in the structure of the way the music is composed. Instead of the standard four movements that we see in the Hayden piece, Shostakovich... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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